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Estimating & Pricing

How to Price a Bathroom Renovation

Stage-based pricing, allowances that protect both sides, a worked full-gut estimate, and the traps hiding behind the tile.

Jocelyn Pentland

9 min read

A contractor setting wall tile around a new shower niche in a gutted bathroom

The short answer: price a bathroom by each stage of the work, not as a single room. Demolition, rough-in, waterproofing, tile, fixtures and finishing each have their own labor and risks. Pricing them separately prevents one surprise from consuming the profit on the entire job. Use clear allowances for the client's choices so upgrades change the price transparently.

A bathroom is the smallest room in the house and the most expensive per square foot, because eight trades pass through a space the size of a parking spot: demolition, plumbing, electrical, tile, carpentry, drywall, paint, and glass. Everything is sequenced and everything is touching. All of it sits on top of the one thing that makes bathrooms dangerous to price: water, and what years of it may have done behind the tile you have not opened yet.

That is why bathroom renovations resist simple unit pricing. There is no honest per-square-foot rate for a room where moving a drain four feet costs more than tiling an entire wall. The method that works is stage-based pricing with allowances: fixed prices for the work you control, defined allowances for the finishes the client controls, and written contingencies for what the walls control.

Price the stages, not the room

Break every bathroom into the same stages and price each from its own inputs:

  1. Demolition and disposal. Strip to studs or partial, bin, floor protection through the house.
  2. Rough plumbing. Like-for-like fixture locations, or relocations, each priced. This line moves more than any other between "refresh" and "redesign."
  3. Rough electrical. Code-driven: GFCI protection, fan upgrade with proper exterior venting, lighting, heated-floor circuit if specified.
  4. Substrate and waterproofing. Backer board, membrane or foam-board system for the wet zone, sloped shower base or pan. The stage everyone shortcuts and the stage that defines whether the bathroom lasts.
  5. Tile. Floor and wall, priced by square foot of surface with rates by tile size and pattern. Small mosaics and herringbone are slower than large-format on straight walls; niches, benches, and edge profiles are per-piece.
  6. Fixtures and carpentry. Set toilet, vanity, faucets, shower valve trim, glass coordination, accessories.
  7. Drywall, paint, and finish trim.
  8. Project overhead. Permits, protection, supervision, and the coordination that is your actual job as the GC.

Each stage is knowable from a careful site visit and a fixture plan. Summing priced stages produces a number you can defend line by line. That matters in a trade where the client is often comparing your $24,000 to somebody's $11,000 and needs to see what the difference is made of.

The markup vs margin calculator converts one into the other and shows the price and profit behind both.

Allowances: the client's choices, fenced

Finishes are the client's territory (tile, vanity, faucets, lighting, glass) and the estimate handles them with allowances: a stated dollar figure per category, included in the price, with overages passed through at documented cost.

The rules that make allowances work instead of blowing up:

  • Set them realistically for the client in front of you. A $5-per-square-foot tile allowance for a client whose inspiration photos are all marble is not an allowance; it is a scheduled argument. Look at their photos first, then set numbers they could actually hit.
  • State what the allowance includes. The tile allowance is material only, and setting labor is in the tile stage. But a switch from 12x24 porcelain to 2-inch hex mosaic changes the labor too, so the quote should say that pattern changes reprice the setting line.
  • Track and show every allowance against actuals. No mystery reconciliation at the end.

A worked example: full gut, 5 by 9 family bathroom

Like-for-like layout (no fixture moves), mid-range finishes, one small window:

StagePrice
Demolition to studs, disposal, dust protection$2,100
Plumbing rough-in and new shutoffs, same locations$2,400
Electrical: GFCI circuit, vented fan upgrade, vanity and shower lighting$1,900
Waterproofing system and sloped shower base$2,600
Tile setting: 90 sq ft walls, 45 sq ft floor, one niche$4,300
Fixture install, vanity set, glass coordination$1,850
Drywall, paint, trim$1,600
Permits, protection, supervision, disposal runs$1,750
Construction subtotal$18,500
Allowances: tile $1,100 · vanity and top $1,400 · plumbing fixtures $1,300 · lighting $350 · glass $1,200$5,350
Estimate total$23,850 plus tax

Under the table, two sentences that belong in every bathroom quote: Price assumes subfloor and framing are sound; water damage found at demolition is documented, priced, and approved before repair. And: Fixture relocations are not included; moving the toilet or shower drain is quoted separately before rough-in.

A contractor inspecting exposed subfloor and plumbing in a demolished bathroom

What goes wrong behind the tile?

Pricing before demolition as if demolition holds no news. Some meaningful share of bathrooms hide something: soft subfloor at the toilet flange, corroded galvanized supply lines, a vent stack that was never right, mold in an exterior wall. You cannot price the unknown, but you can pre-agree the process (document, price, approve, proceed) and carry a stated contingency. Suggest the client hold 10 to 15 percent beyond the quote; a client warned at signing is a partner at demolition, and a client surprised at demolition is an adversary.

Waterproofing as a place to win the bid. The $11,000 competitor is often "saving" here: no membrane, greenboard in the shower, no slope verification. It is invisible at handover and catastrophic in year four. Price waterproofing as its own visible stage and say what system you use, because making it visible is both honest and the best sales argument you have against the low bid.

The relocation shrug. "While it's open, could the toilet go under the window?" Moving a drain through a joist bay, or worse against joist direction, or over a finished ceiling below, is real plumbing, possible structure, and possible ceiling repair. The pre-written relocation menu (toilet move, shower drain move, vanity swap-side) with real prices turns the mid-job wish into a signed change instead of a mumbled yes.

Sequencing gaps billed to nobody. The glass shower panel is measured after tile and arrives two weeks later; the vanity top is templated after the vanity sets. If your schedule and price ignore those gaps, the return trips and the idle days quietly become your cost. Build the two-visit reality of glass and tops into both the schedule and the supervision line.

Subs, self-perform, and the markup that pays for coordination

A bathroom's stages are also a staffing decision, and the pricing has to follow it honestly. Most small GCs self-perform demolition, carpentry, tile, and finishing, and subcontract plumbing, electrical, and glass. Both halves need margin, but they earn it differently.

Self-performed stages carry your labor at its loaded rate plus profit, exactly like any trade pricing its own work. Subcontracted stages carry markup on the sub's price, commonly 15 to 25 percent, and that markup is not padding. It pays for real work: finding and vetting the sub, sequencing them into a room where eight trades share forty-five square feet, being on site when they arrive, owning their warranty in front of the client, and absorbing the schedule shuffle when their previous job runs long. A GC who passes sub quotes through at cost is doing project management as a hobby.

Two failure modes to price against. The first is the coordination gap: the plumber is booked for Tuesday rough-in, the electrician for Wednesday, and demolition runs a day late. Now two subs need rebooking, each with their own backlog, and the schedule slips a week from a one-day delay. Your supervision line and your schedule buffer exist because of exactly this; a bathroom priced with zero float is priced for a project that has never happened. The second is the responsibility gap: when the glass installer's measurement is a centimeter off, the client calls you, not them. The markup already sold you as the single point of responsibility, so the quote should say it proudly rather than hiding the structure: one contract, one schedule, one person accountable for the whole room.

If a client offers to bring their own brother-in-law electrician to save money, the honest answer is a structural one. Work you do not control is work you cannot warranty or schedule. So their sub's stages come out of your scope, their delays are not your delays, and the wall-closing inspection happens on your checklist before anything gets covered. Some clients accept those terms; most, hearing them, discover why the markup was cheap.

Should you quote fixed price, T&M, or cost-plus?

Fixed price with allowances is the right default for a defined-scope bathroom: clients need a number, and the stage method makes the number safe. Time-and-materials is not a bathroom pricing model; it is a repair model, right only for the discovery work itself (once opened, the water-damage repair converts to a fixed change order). Cost-plus (actual costs plus a stated percentage) fits genuinely open-ended, design-as-you-go renovations with high-trust clients; if you use it, define what "cost" includes and report weekly, or it corrodes trust in both directions.

The conversation at signing that prevents the classic mid-reno fight:

"The price is fixed for everything on this sheet. Your finish choices are allowances: if you pick tile over $1,100, you'll see the difference before it's ordered. And if we open the floor and find water damage, you'll get photos and a price before we touch it. No number changes without your signature."

Every clause of that is also simply a description of good paperwork.

Running the paper trail at renovation speed

A bathroom generates more documents per square foot than any project you will run: the quote, three allowance selections, a relocation change, a water-damage change, progress payments, the final invoice. The renovator's real risk is not the pricing method; it is the gap between what was said in a gutted room and what was written down.

Zeus keeps that gap closed from the phone in your pocket. Stage prices and the relocation menu live as Price Book items, and the quote is signed on-site at the kitchen table. Each discovery is photographed onto the job and priced into a fresh quote the client signs before you touch it, and progress payments are recorded as they land. At the end, the job's numbers show what the bathroom actually cost to build against what you priced, which is how your next bathroom quote gets better.

Where Zeus fits

A bathroom produces more paper per square foot than anything else you will run, and every one of those documents gets made in a gutted room rather than at a desk. Zeus holds the stage prices as Price Book items: demolition and disposal, rough plumbing, waterproofing, tile by pattern, and the relocation menu with a real number against each move. The quote is assembled by picking those lines, so the stage table the client reads is built rather than retyped, and the allowances sit on it as their own lines. They sign on your phone at the kitchen table, or through a link if the other half of the household decides. When demolition finds soft subfloor, you photograph the condition onto the job, price the repair from the same Price Book as a fresh quote, and take a second signature before anyone touches it. Every signed version stays in the record as signed. All of that is Win the Work; what Zeus does once the job is running picks up after it. The starting size costs nothing and does not run out; you can read what each size includes. It runs on Android, iPhone and in a browser, so get it onto your phone before the next demolition day.

The smallest room in the house is still eight trades sharing a parking spot of floor. What decides whether it made money is almost never the tile rate. It is whether the water behind the wall became a photographed, priced, signed line, or a quiet day you swallowed and later misread as a labor overrun.

Frequently asked questions

A client asks what a bathroom renovation costs per square foot. What do I say?

That bathrooms are priced by scope, not area, and give scope-based brackets instead: a keep-the-layout refresh, a full gut like-for-like, and a gut with relocations, each with a realistic range for your market. Three brackets teach the client more than any square-foot number and position the site visit as the way to narrow it.

How much contingency should I carry, and who holds it?

Advise the client to hold 10 to 15 percent for older homes, and say it at signing rather than hoping. Do not bury a secret contingency inside your fixed price to absorb discoveries silently; you will either eat real damage or bank an invisible windfall, and both corrupt your pricing data. Priced change orders keep the record honest.

Should I let clients buy their own fixtures to save money?

Allowances through you are cleaner: you control spec compatibility, delivery timing, and warranty. If a client insists on supplying, accept with terms: install-only pricing, no warranty on their items, delays from missing or damaged parts billed as schedule changes. The rough-in valve that does not match the trim kit in a sealed client-supplied box is a two-week delay in a small white room.

When should the money arrive across the project?

Staged, and stated in the quote: a deposit near materials cost, a progress payment at completion of rough-ins, and the balance at completion. On a $24,000 bathroom, never let the outstanding balance exceed what remains to be built; that discipline protects both sides and makes the final payment a formality instead of a negotiation.

About the Author

Jocelyn Pentland

Managing Editor, Resource Center

Jocelyn grew up around her family's renovation company in Hamilton, Ontario, and ran its office from the age of nineteen — writing quotes at the kitchen table, invoicing on Sunday nights, and learning exactly how long a homeowner will sit on a bill before somebody has to phone them. She did that for twelve years before moving into trade publishing, where she edited business and estimating guides for contractors across southern Ontario. She now runs the Zeus Resource Center, commissions most of what appears in it, and still reads every draft the way she used to read a quote: hunting for the number that is going to start an argument three months later.

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